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The Triple Gate: India, Japan, Israel — and a Practice of Peace

  • Writer: Gavriel Wayenberg
    Gavriel Wayenberg
  • Oct 27
  • 5 min read

Updated: Oct 28

Why “Namasthay” carries three doors, three wells, and one working program

Author: Gavriel (Namasthay) Project: Lurching.net / BSPG – Peace Through Resonance


Preface (no claims, only work)

This essay is not a proclamation. It’s a map. It gathers threads from my last releases and field notes and offers a practical way forward.If something here resonates, let it be because the work is useful—artistically, culturally, and civically.


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I will not interpret world tragedies as mystical signals. Lives are too precious. We can, however, turn coincidence and symbol into design—so that art, tech, and ethics cooperate toward peace.


A simple picture of a complex thing

Across my music and research, a stable image keeps returning: a door.

  • In Hebrew, ד (Dalet) = 4, the letter of the door—the threshold.

  • Doubled, in Hebrew, 44 = Dam, or blood (as of energy of life) as of my 44th album.

  • Tripled (444), it becomes a triple threshold: self, relation, transcendence.

  • In Japan, the red gate (torii) marks passage from the ordinary to the sacred. As of the Hata clan, and as of the passage from weektime to Shabbat in Jewish culture.

  • In India, Namaste bows to the divine in the other, opening a human door.


The name Namasthay rides that meeting: Namaste ⇄ Shalom. Recognition ⇄ Wholeness. My recent music explored this with album 44 (Gabriel - LeHeikakh — to Sharpen), and the next cycle will rehearse it as practice - as we all know how sharp/severe Gabriel the AAngel can be.


Three Dalets, Three Wells (the working model)

Think of three doors and three wells (Mitsui in Japanese - as of the trading house):

  • Door 1 — Self (inner door). Well (vertical): practices that link the person to Source (study, silence, prayer, rest).

  • Door 2 — Relation (social door). Well (horizontal): community and language—how we listen and disagree without breaking each other.

  • Door 3 — Transcendence (purpose door). Well (ecosystemal): nature, supply chains, the planet—how our choices affect life beyond us.


This is the 444 grammar I use in music and, increasingly, in my professional work. It’s not mystical determinism; it’s a repeatable pattern—a way to design peace as a practice.


Namasthay’s triple identity (and why it’s practical)

Indian thread — “Namaste”: the bow that recognizes the divine spark in the other.Japanese thread — the red gate: disciplined passage from noise to meaning.Israeli thread — “Shalom”: wholeness; the state in which conflict can dissolve.

Namasthay carries all three at once—recognition, passage, wholeness—and turns them into tools:

  • In music: structures that move from tension to coherence (BSPG’s “peace through resonance”).

  • In technology (Ajinomatrix): tools that help humans taste, decide, and collaborate with less friction.

  • In civic spirit: a way to speak across divides without denying their reality.


The field notes behind the myth

Two background pieces explain why I insist this isn’t fan-service:


They’re not proofs. They’re provenances—why this work insists on being done seriously, across time and cultures.


The messenger archetype (without costume)

Many readers have asked about the Gabriel motif. For me it’s a working archetype, not a costume:a messenger who is stringent and tender—serious about boundaries, generous about meaning.

When a drum says “don’t get in the way,” (ex: Song 5 finale on the 44th album) - it should only mean:

do not obstruct the passage of what heals.

That is the only severity I will own publicly.


From symbol to program: The Triple Gate Initiative (444)

Here’s where the art becomes work. A single program, three locales, one method.

Gate I — Integrity (Data / Method)

  • Reproducible sensory workflows (panel-lite, 12–15 tasters).

  • Shared KPIs: iteration reduction, time-to-decision, top-2-box lift.

Gate II — Relation (Co-design)

  • Monthly client councils (JP/IN/IL variants).

  • Cultural tasting days; shared glossary; decisions explained in plain language.

Gate III — Purpose (Sustainability)

  • ABED/BioSphere loops (flavor–growth learning with low energy/water).

  • “Comfort parity” for sugar-reduction or reformulation; peace with the body as policy.


Pilots

  • Japan (Mitsui-era roots honored): Coffee • Vegan Alt-Protein • RTD Tea/Kombucha — “Torii Pilots”, 4–6 weeks each, 3 KPIs.

  • India: Masala–Mouthfeel Index • Ayurveda-adjacent “rasa” mapping • Chai comfort with less sugar.

  • Israel: Covenant-coding ethics brief • Desert-ag flavor loops • Diaspora palate panels.


One umbrella message:

We build instruments for crossing thresholds—from tasting, to knowing, to deciding.

Music as the civic twin

  • Album 44 — LeHeikakh (Sharpen): closing the second gate; the exhale.

  • A 40-day creative sabbath: incubation, listening, study - rest and let Narkis time to rejoice, rejuvenate, and hopefully rebirth a new cycle.

  • Album 45 — Chazarah (Return & Rehearsal): not an announcement; a practice.Tagline: We rehearse peace until it stays.

Releases will align quietly with the pilots—short instrumentals as rituals of greeting: Namaste ⇄ Shalom ⇄ Red Gate.


On conversations and responsibility

I have engaged, where possible, in respectful conversations about de-escalation and homecoming: with community leaders, with friends close to policy, with people who carry real burdens in Israel, India, and Japan. I keep those exchanges private. If there is any merit at all, it will be because the work proves kind and useful—never because I shouted the loudest.


How you can help

  1. If you’re in Japan, India, or Israel and want to co-design a Torii / Namaste–Shalom / Covenant pilot, reach out.

  2. If you’re an artist, chef, or engineer, join a triple-gate session: one hour to map a problem across self, relation, purpose.

  3. If you’re simply curious, listen to the music and read the briefs. Tell me where it fails you. I will adjust.


Closing

A door is not magic. It’s a choice—to pause, to bow, to pass with care. If three doors (444) help us hold more truth with less violence, then the metaphor has already done its job.

From Belgium to Japan, India, and Israel, this is the pledge: to turn recognition into passage, and passage into wholeness—again and again—until peace becomes muscle memory.


— Gavriel (Namasthay)



Appendix links:


Postscript for the informed reader

  • 444 (Dalet×3) is used here as design grammar, not numerological claim.

  • BSPG = Black Swan Precog: a practice of listening for early coherence—turning intuition into reproducible method.

  • Ajinomatrix remains the industrial spine: sensory-AI for faster, kinder decisions.

  • Namasthay is the civic twin: music that rehearses what the method proposes.

 
 
 

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